My practice begins in the body. I approach the studio choreographically, working on the floor, moving with and against materials. This physical intelligence has shaped an enduring vocabulary of suspended and floor mounted work: large-scale forms built from lightweight polystyrene and Styrofoam that appear to defy their own weight.

Gravity is my central material. I work with its pull, its refusal, its humor. My sculptures hang as if caught mid-flight, neither ascending nor falling, between effort and ease. Anti-Gravity, my recent body of work, explores three interlocking meanings of that word: the literal physics of suspension, a feminist refusal of dominant hierarchies, and the refusal of solemnity as its own political act. Rooted in the Pattern and Decoration movement, this work insists that the sensory, the ornamental, and the exuberant are not decorative afterthoughts but forms of resistance.

Recent work integrates video projection onto rotating forms. Wearable sculptural pieces are activated in live performance, extending the body's conversation with gravity into collaborative, immersive environments.

Review of Anti-Gravity, 2026